There may be some doubt about the others, but at any rate no passion has a worse look. We have described the angry man’s appearance in our former books, how sharp and keen he looks, at one time pale as his blood is driven inwards and backwards, at another with all the heat and fire of his body directed to his face, making it reddish-coloured as if stained with blood, his eyes now restless and starting out of his head, now set motionless in one fixed gaze.
Add to this his teeth, which gnash against one another, as though he wished to eat somebody, with exactly the sound of a wild boar sharpening his tusks: add also the cracking of his joints, the involuntary wringing of his hands, the frequent slaps he deals himself on the chest, his hurried breathing and deep-drawn sighs, his reeling body, his abrupt broken speech, and his trembling lips, which sometimes he draws tight as he hisses some curse through them.
By Hercules, no wild beast, neither when tortured by hunger, or with a weapon struck through its vitals, not even when it gathers its last breath to bite its slayer, looks so shocking as a man raging with anger.
Listen, if you have leisure, to his words and threats: how dreadful is the language of his agonized mind!
Would not every man wish to lay aside anger when he sees that it begins by injuring himself?
When men employ anger as the most powerful of agents, consider it to be a proof of power, and reckon a speedy revenge among the greatest blessings of great prosperity, would you not wish me to warn them that he who is the slave of his own anger is not powerful, nor even free?
Would you not wish me to warn all the more industrious and circumspect of men, that while other evil passions assail the base, anger gradually obtains dominion over the minds even of learned and in other respects sensible men?
So true is that, that some declare anger to be a proof of straightforwardness, and it is commonly believed that the best-natured people are prone to it.